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Tuesday, May 09, 2017

And Life Returns to Normal?

Guess we'd have to know what "normal" is for that to happen.... But Sense and Sensibility is up and running and I have returned to just my regular job and I have even finally had a couple of days off, so I am feeling a little more rested. The intensity of the 10 weeks was such that it will take me a little while to completely reflect on what I have learned and what I will do with it.

As to Sense and Sensibility, here are a few reviews to help you decide if you will be checking it out.

REVIEW from Colin MacLean, Gig City

REVIEW from Liz Nicholls, 12th Night

REVIEW from Liane Faulder, Edmonton Journal

REVIEW from Mel Priestley

REVIEW from Jenna Marynowski, After the House Lights

I was very happy with the show onstage and have now seen it 6 times and will see it another time before it closes. It is the last week, so act fast!

Now that the show is up and running, I have been working hard to catch up with my theatre viewing. I saw the delightful Irma Voth at Theatre Network last week. It is closed now, but it was a refreshing little piece of theatre full of humour and humanity.

I caught ELOPE's Sweeney Todd on Friday night and partook of the delicious meat pies on sale outside the Arts Barns. It was a surreal experience to see the show as it was the first time I had seen a show that I had previously directed. Hard to sort through expectation and memory.

Last weekend I caught the frenetic Bone Wars from Punctuate Theatre. At it's core, it was a TYA show that had opportunity to really discuss the importance of scientific method, unfortunately the over incorporation of extra social issues muddied the waters a bit. Still entertaining and very silly with a very talented cast - I'm just not sure the kids would be able to sift through all the layers and get to the bones of the story.

Somewhen in the last month or so I also caught 9 Parts of Desire presented by Maggie Tree. It needed a little more cohesion, but left me thinking and searching google for more information on the Iraqi War, something I sadly knew little about. The show seemed externally hijacked by the discussion of diversity in theatre, and after seeing it, I hoped that the work itself would direct audiences to the core of the play - survival and coping after living through (and still) war. The 9 women in this play live through a situation of war as normal life, and the effects of that are devastating.

I also managed to catch Madfandango Theatre Collective's The Believers presented through the Roxy Performance Series at Theatre Network. Still not quite sure what it all meant but boy-oh-boy was it compelling. The direction was incredible.

I think there was something else in there... if I remember, I will make a comment or two.

Up next this week I will be seeing Art at Shadow Theatre and Bonnie and Clyde at Northern Light Theatre. I also have Jesus Christ Superstar at the Mayfield lined up for next week.

So, what is normal?

Monday, February 27, 2017

Away in Banff... Having a wonderful time!

I have been in Banff for the last two weeks and will be here for 2 more weeks as the Intern Director for the Citadel/Banff Centre Professional Theatre Program. It's an intensive and rigourous program and I am blogging about the experience here: http://cbcptp2017.blogspot.ca/

When I return I will be Assistant Directing Sense and Sensibility at the Citadel Theatre.





Sunday, February 12, 2017

Cinderella, BUST and Moi, Monsieur, Moi! All over the map - literally!

Well, I traveled from Italy to Fort McMurray and then to Senegal this week in my theatrical adventures! I also took in an Opera, a new work and a one-woman show - variety that is a testament to the many different theatrical offerings available in Edmonton in most months!

Cinderella (or La Cenerentola) at Edmonton Opera was a delightful, silly romp! The cast went for the ridiculous in this Cinderella story with a twist (the Prince is also in disguise!). Supported by terrific costumes and a fun set, this was a great light-hearted adventure. I enjoyed the singing, particularly from Krisztina Szabó as Cinderella and John Tessier as Prince RamiroThey made a lovely couple! It was also nice to go to an opera where you don't have to rely too heavily on the surtitles because you know the basic story and the step-sisters and Dandini provided many over-the-top comic moments!

Bust at Theatre Network took us to Fort McMurray post-wildfire. I have to admit, this show had me apprehensive, as most shows about Fort McMurray do. I am not sure that it captured much that I recognized as being specifically Fort McMurray any more than any other smaller city in Canada, so I could relax a little in that. I think for any of my friends who went through the fire, that this would be a challenging show to see - because there are trigger moments that might be hard to deal with. The set is gorgeous (although there should be snow... if they're playing hockey in McMurray there will be snow outside). It evokes more the burnt out  forest surrounding the city. Note: for people familiar with Fort McMurray and what the area around the tailings pond looks like, you will have to accept that there was dramatic license... The cast is a committed ensemble. Louise Lambert stands out with incredible drive through the piece and Lora Brovold delivers a heart-breaking monologue about loss that I really connected with.

Moi, Monsieur, Moi! at L'uni Theatre was a one-woman show about a young girl born in Senegal who was passed on to an aunt, a cousin, an uncle. It was brilliantly performed by Patricia Gomis using puppets, props and a terrific story-telling ability. It's a story with humour and sadness and truth. Truly entertaining but not veering away from challenging and difficult topics. French with english surtitles. I took my husband and he liked it so much he returned the next evening with our sons.

Friday, February 03, 2017

On the Horizon... The Citadel/Banff Professional Theatre Program...

I haven't written about this yet... too busy preparing and getting things ready for me to go. But in a few short weeks I will be starting an amazing career adventure. I will be the Director Intern for The  Citadel/Banff Professional Theatre Program. What does that mean? Well you can find out more about the program here. For me, specifically, it's an opportunity to learn more about how to direct from some of the top theatre professionals in Canada and following the program I will be Assistant Directing Sense and Sensibility at the Citadel. I will also be there with the 12 Acting Participants (who will be in Sense and Sensibility) and another Directing Intern who will be Assistant Directing Peter and the Starcatcher. I anticipate that it will be rigorous and challenging - I am certainly hoping it will be - and I also believe it will be incredibly rewarding. It will be wonderful to immerse myself with my fellow artists and simply commit myself to artistic growth.


Past Participants from ebenezerink37016692 on Vimeo.


2017 Program Trailer from ebenezerink37016692 on Vimeo.

Sunday, January 29, 2017

A Mountain, A Weapon, and a Dinner Party...

Annapurna, Shadow Theatre - Funny, real, and moving, it tells the story of an unexpected reunion of a long estranged couple. Their history is revealed slowly and significantly as they each harbour resentments and scars from the past. Ullysses, in a powerful and humourous performance by Shaun Johnston, is a tortured cowboy poet who greets us in an unconventional outfit. Emma, played by Coralie Cairns, arrives at Ullysses' somewhat derelict trailer with an obvious hidden agenda and more baggage than just the large suitcases which suggest she is there to move in. The two have great chemistry together and Shadow has created a sensitive and funny show you probably shouldn't miss this theatre season.

Annapurna runs to February 5th at the Varscona Theatre. Tickets here. 

Star Killing Machine,Broken Toys - "This is absurd!" yells one of the characters... and yes, yes it is. But it is also a lot of fun and filled with some really great music. I did wish for mics, not because you can't hear every word, but because it's a rock musical and I wanted to hear it more. It's a new work and I hope that it's only an early incarnation, because I think there is a lot of future in it. Go for the music, go for the ridiculous twinkie, go for the rolling chair dance, go for the beautiful closing song, go for the quirky humour. There's a lot of reasons to see this show.

Only one show left - today at 2 pm. Tickets here. 

Disgraced, Citadel Theatre - As I woke up this morning and read my twitter and FB feed, this one feels all the more relevant. An explosive dinner party that lets you step inside the experience of those that aren't you... at least to some degree. You won't leave with answers, but you should leave with more empathy and hopefully connection. A terrific script brought to life by the perfect cast.

Disgraced runs to February 12th. Tickets here. 

Thursday, January 19, 2017

Peter Fechter: 59 Minutes and Fortune Falls - Illuminating

This past week I took in 2 very different shows, both Canadian works. 

First up was Peter Fechter: 59 Minutes produced by the relatively new company, Cardiac Theatre in the PCL Theatre at Fringe Theatre Adventures. The short (59 minutes) show tells the story of Peter Fechter, a young East Berlin brick-layer who attempts to cross the Berlin Wall in the early 1960s. As he attempts to escape he is shot and we experience a fictionalized account of what goes through his mind in those 59 minutes before he dies. The source material is true and one thing the show did for me was get me thinking and reading. Off to climb down that wikipedia wormhole. That's one of the things I love about theatre is that often it provides a glimpse of something I didn't really know much about and it sparks that interest in finding out more. The production is well done. I loved the set and lighting and the choice of the alley staging - underscoring the two sides of the wall - and the twisted barbed wire that is entangled with the detritus of Peter's (Bradley Dore) young life. It was tight and engaging and thought-provoking. 

The other show I saw was Fortune Falls presented by Catalyst Theatre at the Citadel. Catalyst Theatre started out much in the same way as Cardiac Theatre is now - a group of young U of A drama grads presenting challenging work. Fortune Falls combines many things that Catalyst has become known for, an edgy world with a unique vision. Each moment is excellently executed by it's 5 person ensemble. The music is original and tight with stand-out vocals from Jamie Tognazzini and Daniel Fong. The many characters portrayed by the ensemble are clearly defined and individual. My favorites included Braydon Dowler-Coltman's brash and larger than life Tour Guide, Shannon Blanchett's hilarious clickety-clark executive secretary (there are too many characters for me to remember names) and Graham Mothersill's East-coast factory repairman. I really loved the lighting design by Kerem Çetinel, which was brilliant and precise - no small feat in a thrust theatre - and Megan Koshka's costumes were inspired. Truly an original world created onstage. 

Peter Fechter: 59 Minutes runs to January 22nd at the PCL Theatre.
Fortune Falls runs to Feberuary 5th in the Maclab Theatre at the Citadel.